Beaujolais
Between Mâcon and Lyon, where Burgundy ends and the Rhône begins, lies one of France's most misunderstood and most fascinating wine regions, stretching for fifty kilometers of hills. For decades, Beaujolais has paid the price for the Nouveau: the festive wine, celebrated on the third Thursday of November, with its joyful label. But behind that image lies a territory of extraordinary geological complexity, where Gamay—banned from Burgundy in 1395 by Philip the Bold for its excessive productivity—found its promised land.
The secret lies in the subsoil. In the northern part, where the ten crus are located, the soil is made of pink granites, schists, quartz, and porphyry: ancient, poor, draining rocks that force the roots to dig deep and the wine to earn every degree of complexity. From this same grape variety, on such diverse soils, come wines that do not resemble each other: the deep, almost Burgundian Morgon, the floral and gentle Fleurie, the austere and long-lived Moulin-à-Vent. Ten crus, ten personalities, one grape variety.
These are wines that do not seek immediate effect, but rather convey the precise voice of the place from which they come.
Between Mâcon and Lyon, where Burgundy ends and the Rhône begins, lies one of France's most misunderstood and most fascinating wine regions, stretching for fifty kilometers of hills. For decades, Beaujolais has paid the price for the Nouveau: the festive wine, celebrated on the third Thursday of November, with its joyful label. But behind that image lies a territory of extraordinary geological complexity, where Gamay—banned from Burgundy in 1395 by Philip the Bold for its excessive productivity—found its promised land.
The secret lies in the subsoil. In the northern part, where the ten crus are located, the soil is made of pink granites, schists, quartz, and porphyry: ancient, poor, draining rocks that force the roots to dig deep and the wine to earn every degree of complexity. From this same grape variety, on such diverse soils, come wines that do not resemble each other: the deep, almost Burgundian Morgon, the floral and gentle Fleurie, the austere and long-lived Moulin-à-Vent. Ten crus, ten personalities, one grape variety.
These are wines that do not seek immediate effect, but rather convey the precise voice of the place from which they come.